Archive for January, 2010

filmadelphiaDOCUMENTARY presents Dust & Illusions February 3rd

Sunday, January 31st, 2010

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The Philadelphia Film Society will be screening the documentary Dust & Illusions February 3rd at the World Cafe Live at 7:00 pm. For those of you not familiar with the documentary, it focuses on the Burning Man festival which takes place every year in the Nevada Desert and documents the festival from it’s inception as a gathering of a group of friends in San Francisco, to now where it has grown so much some have begun to wonder if it still it has lost touch with its roots.

From IMDB: “Once a year, on a vast Nevada lake bed surrounded by mountains and for the past 20 years, the Burning Man festival brings together tens of thousands of people who are attracted by the festival’s promise of seven days of de-commodification, community, artwork, and revelry. But increasingly, many question whether Burning Man’s mainstream appeal threatens – or even upends – the festival’s utopian vision. Through a series of in-depth interviews of the festival’s founders, organizers, and participants, DUST & ILLUSIONS traces the festival’s history, while examining whether the festival is a victim of its own success. The documentary also offers a new perspective about the event, and looks at our ability as human beings to create new forms of community in the 1st century.”

Dust & Illusions has been a hit on the festival circuit, and it hits Philadelphia this Wednesday. Ticket info here.

Miramax Closes its Doors

Sunday, January 31st, 2010

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Last Thursday, Miramax the studio responsible for putting independent film on map in the mid-nineties with such films as The English Patient, The Piano, Pulp Fiction, Sex, Lies and Videotape and Clerks shut its office doors for the final time.  Disney made the decision costing 80 people their jobs and leaving 6 films still in the release queue with a very uncertain future. The studio has been dying a slow death since the founders Bob and Harvey Weinstein left in 2005 due to their differences with then Disney CEO Michael Eisner.

What was once one of the most respected independent distributors has become nothing more than a vanity art label for Disney and has been faltering ever since. The Weinsteins have expressed an interest in purchasing the name Miramax back from Disney, which was a play off their parents names Max and Miriam; but have yet to hear back. Disney has stated the would sell Miramax outright for 1.5 billion but with the luck Weinsteins have had since I don’t see that as a possibility.

After the jump wax nostalgic, and check out a retrospective of Miramax logo trailers throughout the years.

Via TheWrap.com

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filmadelphiaCLASSICS Screening of HENRY V on Wednesday, January 27th!

Friday, January 22nd, 2010

The Philadelphia Film Society finish off their two-week Shakespeare-in-Film showcase with Kenneth Branagh’s Henry V (1989) at the Prince Music Theater at 7:30 P.M. next Wednesday. Following the screening, Dr. Matt Kozusko, associate professor of English and an editor of Borrowers & Lenders: the Journal of Shakespeare and Appropriation will moderate discussion on the film.

It is only appropriate when talking about film adaptations of Shakespeare’s works to mention Kenneth Branagh. After all, Branagh is best known for his films in which he directs and stars in Shakespeare plays adapted for the screen. To date, Branagh has directed and starred in five adaptations: Henry V ,  Much Ado About Nothing (1993), Hamlet (1996), Love’s Labour’s Lost (2000) and As You Like It (2006). He also played the part of Iago in Othello (1995), but Oliver Parker directed that adaptation, not Branagh. Branagh’s name is almost synonymous with adaptations of Shakespeare. Which is why the filmadelphiaClassis is featuring one of his works in the Shakespeare-in-Film showcase.

Specifically his directorial debut, Henry V. Before first tackling a film adaptation of a Shakespeare play, Branagh had had quite a bit of experience both acting in and directing Shakespeare’s works on the stage. It only seemed natural to cut his film directing teeth on an Shakespeare adaptation. Indeed this first filmmaking effort led to two of Branagh’s four Academy Award nominations, for directing and for lead actor.

The film (which was shot entirely in sequence) also featured many other firsts. It marked the first film two-time Academy Award-nominated Patrick Doyle served as music composer on, and also as the first film collaboration he had with Branagh (he has scored almost every film Branagh has directed). Branagh had brought him on board having worked with him two years earlier on a stage production of Twelfth Night, which Doyle had written an original score for. Henry V was also the first of nine films Branagh directed and acted in with actor Richard Briers. It was also the first film he directed Emma Thompson in — his future ex-wife.

Branagh has received much acclaim in his career, but many point back to Henry V as an example of his finest work; it having been the only adaptation of a Shakespeare work where he was nominated for an Academy Award in acting and directing. Hence the film’s selection as a screening in the Philadelphia Film Society’s filmadelphiaCLASSICS showcase featuring Shakespeare. But these screenings are about you the members! Do you enjoy another one of Branagh’s adaptations of Shakespeare more than Henry V? Is there another film or TV adaptation of Henry V you particularly like more than Branagh’s version? What is your favorite film based on a work of Shakespeare? Do you have a favorite film about Shakespeare the man? Share your thoughts in the comments below!