Posted Wed, 11 May 2011 by lalindsay

SNL wacky woman, Kristen Wiig has co-written a surprisingly textured humorous tale of woe.

With a tone similar to the 40 Year-Old Virgin, Bridesmaids mixes a crazy cast of characters, laughter and heart to create a pleasing pre-summer bouquet of comedy.

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Posted Sun, 08 May 2011 by lalindsay

I sat down with PFS Executive Director, Andrew Greenblatt to get the scoop on what he liked at the 2011 Tribeca Film Festival and what Philly audiences might expect during the upcoming 20th Philadelphia Film Festival (Oct. 13-23, 2011).

My first thoughts when it comes to attending the more well known film festivals, is all about being a part of the gala celebrations, red carpets and rubbing elbows with the celebrities.

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Posted Thu, 05 May 2011 by lalindsay

(pictured left to right Andrew Greenblatt, Anita Reher and Molly Dougherty)

Yesterday evening, PFS held their first Happy Hour not related to a specific film screening. It was just a chance for our members, attendees and guests to meet, drink and chat (hopefully about movies, but not necessarily), in the hospitably relaxed beauty of Positano Coast. (Truly, one of my favorite restaurants in the City).

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Posted Wed, 04 May 2011 by Anonymous

Forgive my ignorance of the "Fast and Furious" films. Believe it or not, this fifth installment is the first I've seen in its entirety. I could generally care less about car culture and only just learned how to change my own oil. The closest I come to drifting is in "Mario Kart." I am not the target audience. But as the producers have apparently exhausted street racing tropes, they've pimped the franchise out to the masses. Color me impressed, it actually works.

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Posted Wed, 20 Apr 2011 by lalindsay

Writer/Director Morgan Spurlock (Super Size Me) has delivered a witty, insightful, pioneering and entertaining documentary which delves into the prevalent and ubiquitous world of product placement, cross promotion, media impressions and asks the question, is there truth in advertising?

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Posted Tue, 19 Apr 2011 by Anonymous

"Rio" is one for the kiddies, so you'll have to forgive this childless twenty-something for feeling at odds with the target audience. The theater was stuffed with tykes with mouths agape—whispering, screaming, and coughing. I have no idea if that means they were enjoying it. From an adult perspective, this anthropomorphic epic isn't necessarily a painful endurance test, but unlike Nickelodeon's "Rango," there isn't a single compelling reason to recommend it to anyone over the age of 12.

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Posted Mon, 18 Apr 2011 by Anonymous

Self-referentiality is the soul of the "Scream" series, but its fourth installment carries so much franchise baggage that director Wes Craven never really gets around to making a new movie. "Scream" and its sequels skewered then-modern genre tropes—a decade later the mind reels to imagine how the modern horror landscape might lend itself to parody. From the proliferation of "torture porn" to the endless deluge of remakes, one would think the 21st century meant easy pickins for satirists. But if "Scream 4" is any indication, the barbs are only as sharp as their inspiration.

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Posted Thu, 14 Apr 2011 by lalindsay

filmadelphiaCLASSICS screened it's 3rd audience chosen favorite Philly flick - Witness on Tuesday night. I asked some audience members their feelings on this 1985 film which earned 8 Academy Award nominations and won for Best Screenplay and Film Editing, and more importantly, was the launching vehicle for sexy, Viggo Mortensen.

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Posted Tue, 12 Apr 2011 by Anonymous

Well, that was disappointing. "Your Highness" turns out to be a juvenile letdown of epic proportions. You needn't look further than the title to glean the intellectual extent of its pothead-pandering humor, which wholly lacks the tragic undercurrent that made co-writers Danny McBride and Ben Best's equally crass HBO endeavor "Eastbound and Down" such a success.

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Posted Tue, 12 Apr 2011 by Anonymous

Hollywood horror films draw from a grab bag of assorted Halloween party favors, but amidst all the cheap plastic spider rings, director James Wan inserts a tarantula or two for good measure. His latest, "Insidious," takes a see-what-sticks approach that can sometimes be as frustrating as it is refreshing, but in a cinematic climate where scary movies are becoming an increasingly on-rails experience, every goose bump is worth its weight in gold (and I imagine it adds up).

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