This weekend, the new movie from the hometown writing/directing team Brian Klugman and Lee Sternthal, ‘The Words’, opens in theaters everywhere. Featuring fellow Philly boy Bradley Cooper, as well as Jeremy Irons, Dennis Quaid, Olivia Wilde, Zoe Saldana, Ben Barnes, and J.K. Simmons, the film tells the story of Rory Jansen, a struggling writer who finds fame after passing off a lost manuscript as his own novel and then deals with the consequences of stealing another man’s words.
The Philadelphia Film Society is proud to announce the addition of a new blogger to the crew who goes by the name of Ben F. Silverio.
Each year my dream is to attend the Sundance Film Festival and each year I fail to make this trip a reality. But I do make a point to find out which films are getting buzz. Before wining the Alfred P. Sloan Feature Film Prize, I had made a note to try and see Robot & Frank, if it got picked up and released.
Earlier this week, PFS members previewed the new film, Lawless, by director John Hillcoat; starring Tom Hardy, Shia LaBeouf and Guy Pearce.
I just got back from Korea where the longstanding Puchon International Fantastic Festival is serving up some of the greatest new genre titles from around the world. Among the big events here, there were packed houses for films from Asia like Doomsday Book, an anthology featuring top Korea directors like PFF alum Kim Ji-Woon who made A Tale of Two Sisters and The Good, The Bad and the Weird. Also featured was a great world program with American favorites opening here this summer like Sound of My Voice and Safety Not Guaranteed. I spent some quality time combing through the program for great new work I could bring to Philadelphia.
The Philadelphia Film Society will be screening KILLER JOE, which had its World Premiere at the Venice International Film Festival and North American Premiere at the Toronto International Film Festival, for members on Wednesday, August 7, 2012. Intern Sam Denitz got a special chance to see the film in advance and in celebration of the upcoming screening, we are posting Sam’s thoughts on the film BEFOREHAND to let you know what you’re getting yourself into.
PLEASE NOTE: The film KILLER JOE is rated NC-17 for “graphic aberrant content involving violence and sexuality, and a scene of brutality” – it is a difficult film to watch at times for some, but it is certainly a one-of-a-kind WILD ride that people will be talking about for months!
Members of the Philadelphia Film Society packed into Ritz East yesterday evening to get a sneak preview of SAVAGES, the latest film from director Oliver Stone. This film will not be released to the public until later this week, but already seems to be stirring much attraction. There was not an empty seat in the theatre, and this film provoked the crowd to laugh, cover their eyes, and gasp all at the same time.
Watch Trailers for IFC’s HOW TO SURVIVE A PLAGUE and AI WEIWEI: NEVER SORRY to Win Tickets to YOUR SISTER’S SISTER!
YOUR SISTER’S SISTER is a favorite film in the PFS office and we are very excited to offer up a pair of Run of Engagement tickets for you to see the film during any showing Mon – Thurs after the film opens June 22, 2012 at the Ritz Five in Philadelphia! All you have to do to win the passes is watch two trailers of fantastic, upcoming documentaries from IFC Films and Sundance Selects and answer a question about each trailer.
Last Wednesday, the Philadelphia Film Society held a preview screening of Moonrise Kingdom,the ninth film of acclaimed director, Wes Anderson. The latest installment from the director that brought us The Royal Tennenbaums and Fantastic Mr. Fox, traces two committed youngsters, Sam and Suzy on their adventure to run awayfrom their misunderstood lives, so they can be hidden away from the rest of the world on the small, rocky Rhode Island beach cove they have named together, Moonrise Kingdom.
Eric Toledano, one of the directors of the French box-office smash, THE INTOUCHABLES had been barely been in Philadelphia a day before he learned a new word. There is no direct French translation for the phrase, and yet when it was explained to him Eric couldn’t think of a better word to describe his relationship with directing partner Olivier Nakache.