By Davis Rivera
Hirokazu Koreeda may not be a household name in the United States but, film-by-film, he has made a case for himself being the best Japanese chronicler of everyday life since Ozu. His newest film Like Father, Like Son further cements his reputation by taking what sounds like a contrived idea for a film and turning it into a tear-inducing family drama as relatable to those with children as it is to those without. If you missed it during PFF22, you can see Like Father, Like Son at the Ritz at the Bourse.
Davis Rivera is the recipient of the Marguerite & Otis Walter Scholarship for Excellence in Art History, founded the UArts Literary Society, recently completed a book on the last American auteur, and is working on two films to be released this spring. He lives and works in Philadelphia, PA.
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