Posts Tagged ‘PFS Blog’

PFS Rapid Review – Noah

russell-crowe-noah1

Written by Alex Gibson on . Posted in Blogs

By Davis Rivera

After Darren Aronofsky’s Black Swan became the surprise $330m hit of 2010, he had enough clout to embark on as ambitious a project as he could dream of.  That dream, his biblical interpretation Noah, turned out to be the closest thing to an ‘event movie’ 2014 has seen yet.  It is one of those rare instances at the cinema where you can’t help but say to yourself: “If this isn’t perfect I don’t know what is.”

A Night at the Roxy – Filmadelphia // The Backyard Philly Project

March Filmadelphia

Written by Alex Gibson on . Posted in Blogs

Last month, the PFS Theater at the Roxy hosted Amanda Danziger’s The Backyard Philly Project for it’s monthly Filmadelphia at the Roxy series.

The Backyard Philly Project explores the lives of four teens growing up in the Philadelphia inner-city neighborhood known as Penn Town.  Shot partially by the teens themselves, this documentary give an insightful look at life amidst city housing unites where scenes of violence, poverty, friendship, and inspiration are edited together.  Including a spotlight on the Helping Hands Rescue Mission, the films reveals the necessity of support encouragement, and a positive environment for young people in the city.  The film was inspired by former Kixx player Adam Bruckner, now a Philadelphia resident and after school program director.

During the Q&A session after the film, Danziger told us a bit about the inspiration, the process, and the future of the Backyard Philly Project.

And You Call Yourself a Film Buff?! – The Wild Bunch

The Wild Bunch

Written by Alex Gibson on . Posted in Blogs

By John Smith

The year is 1913. A small town in Texas is alive with music, children laughing, and a Temperance Union parade. Life is simply happening, but soon death and destruction invades the town and symphony of pain and gunfire erupts. This sudden contrast of mood and the unflinching, unapologetic violence makes for one of the most intense and memorable introductions in film history. It also sets the tone for Sam Peckinpah’s brutal anti-Western, The Wild Bunch.

So Bad It’s Good – Mutant Girls Squad

Mutant Girls Squad

Written by Alex Gibson on . Posted in Blogs

By John Smith

Guilty pleasures are a necessary recourse for any cinephile, no matter what genre or style you gravitate towards. My poison comes in the form of the over-the-top, blood splattering films of the Sushi Typhoon production company. These films barely classify as B-movies, and one of my personal favorites is Mutant Girls Squad. This film is vulgar and has pretty poor production value, but I can’t help but enjoy it just for the pure madness that it has to offer.

PFS Rapid Review – Tim’s Vermeer

2013-12-06-TimsVermeer3

Written by Alex Gibson on . Posted in Blogs

By Davis Rivera

In Tim’s Vermeer, inventor Tim Jenison appears to be a man who realizes that stressing over things is a waste of our emotional reserves and inspires the viewer to rejoice instead.  It is this optimism in a world of nonsense that makes it easy to understand why Penn & Teller would be friends with him.  Their bond also allows Teller to direct in a relatively straightforward way, allowing Tim’s enormously engaging obsession to take center stage.

So Bad It’s Good – The Room, Live at Midnight

the-room-4

Written by Alex Gibson on . Posted in Blogs

By Alexander Goodlive

Surrounded by the nostalgic feel of a double-level theater, the 35mm projector, and a hundred fans anticipating a movie they’ve seen more than their fair share of times, the silver screen flickers to life. The cheap blue logo of a film franchise only known for one movie spins its way to the screen, and the crowd cheers its presence. Are we in for another riveting tale of cinematic excellence, guaranteed to take us on a timeless adventure through the magic of celluloid?

Not really.

But are we in for a fun time? You better believe it.

PFS Rapid Review – About Last Night

About-Last-Night-Poster

Written by Alex Gibson on . Posted in Blogs

By Davis Rivera

Perhaps not since Eddie Murphy has there been a stand-up comedian who has proven themselves to be as adept at that most difficult art of making us laugh in person and on the big screen as Kevin Hart.  When Hart speaks, he conquers all listeners and in Steve Pink’s About Last Night… he displays a love and command of language so impressive one can imagine that even David Mamet might stand back in awe.

PFS Rapid Review: The Grand Budapest Hotel

Grand Budapest Hotel.jpg

Written by Alex Gibson on . Posted in Blogs

By Davis Rivera

Reading the works of Stefan Zweig has always left me with the sensation that any lover of both literature and film might feel: Why has there never been a modern adaptation of this author’s work that shows a keen understanding of his prose the way Rossellini and Ophüls did nearly a century ago?  Thankfully, Wes Anderson has made the ultimate tribute to Zweig with his masterful and staggeringly gorgeous new film The Grand Budapest Hotel.

PFS Rapid Review: The Wind Rises

THE WIND RISES

Written by Alex Gibson on . Posted in Blogs

By Davis Rivera

If the heart is our most valuable organ then Hayao Miyazaki, with his ability to challenge us and make the viewer feel things we never thought possible, was our most valuable artist working in animation before his retirement.  The Wind Rises, his fictionalized biography of engineer Jiro Horikoshi, is as beautifully told and lushly detailed as his classic tales of a freelance bounty hunter pig or a young Emishi warrior and cannot be missed.

And You Call Yourself a Film Buff?! – Goodfellas

Good Fellads

Written by Alex Gibson on . Posted in Blogs

By Caroline Meuser

Though I was exposed to Goodfellas early in life, I did not experience the type of positive introduction that most “cinephiles” probably have. To me, it was one of those films that TNT constantly featured and, while my dad sat enrapt as Joe Pesci pumps seven bullets into his friend’s chest, I classified it as a film I may watch in full eventually, but for the time, I could do without the emotional disturbance incurred by seeing men willfully destroy their lives and the lives of others through organized crime.

Martin Scorsese adapted Goodfellas from the 1986 non-fiction book Wiseguy by Nicholas Pileggi. By 1990, Scorsese and Pileggi organized an utterly triumphant cast and screenplay. Ray Liotta narrates most of the film as Henry Hill, an aspiring-turned-successful Brooklyn gangster. In a menacing, poignant performance, Liotta illustrates Hill’s tumultuous existence – from his collaboration with mob figures Tommy DeVito (Joe Pesci) and Jimmy Conway (Robert De Niro) in 1955 to his dramatic fall from criminal grace in 1980. Within this time period, the glamour of violence and riches blind Hill and company. With each murder, drug deal and robbery, the line distinguishing their actions between dutiful and disturbing rapidly fades.