Posts Tagged ‘PFS’
I’m happy to introduce another new blog section called “Last Week on Tuesday”. Every Tuesday I’ll fill you in on what happened the previous week at PFS, all the blood, sweat, tears and sneak previews. Last week saw a number of screenings and events for PFS. From weeding a section of Fairmount Park to literally being in the weeds with a certain screening (jokes, jokes), we saw it all.
By Avery Maehrer
Joe Lee was horrified to make the call.
An idea had sprung in his head for a documentary about Sue and Ron Witman, whose family made headlines after their son was found guilty of brutally killing his younger brother. But for Lee’s vision to come to fruition, he had to pick up the phone and convince the married couple to tell him their story. After Lee overcame his nerves and reached out to the Witmans, they met in person. The rest is history.
“They kind of fell in love with us,” Lee said. “And we fell in love with them.”
The result of what followed Lee’s phone call is “The Witmans” – one of three short films by local filmmakers showcased on Feb. 18 in the
Philadelphia Film Society’s Filmadelphia at the Roxy program. In addition to Lee’s work, Doris ChiaChing Lin’s “Maquette 1:1000” and Hilary Brashear’s “Triptych” were also screened in front of a packed theater.
By Alexander Goodlive
With all the hate that The Twilight Saga gets (and rightfully so) for destroying the image of what a vampire is and should be, few realize that vampire movies have always existed outside of household Anne Rice fetish material. While it is tempting to blame the downfall of modern vampires on Stephanie Meyer, a movie came out in the 80s that, if held to the same standards, would be equally as blasphemous in the eyes of many a Hot Topic shopper.
By Alexander Goodlive
Imagine that two secret agents coincidentally fall in love with the same, down-home blonde-haired Reese Witherspoon… Just imagine that. Now let’s imagine that these two secret agents are actually James T. Kirk and Bane in a series of one-upping Bash Brothers mayhem. Witherspoon meets Tom Hardy on an online date, while Chris Pine heaps a massive dose of Casanova fail on her, though she is slowly charmed by his loveable narcissism. Oh, and Chelsea Handler is the best friend, obliging her duties by giving exposition to the NSA-style setup the agents arranged in order to learn everything about the girl.
Doesn’t that sound awesome?
Oh, it is, but not for the reasons it intended to be.
By Justin Dorsey
Spike Jonze’s Her gives new meaning to computer love. Or does it? In the movie, Theodore Twombly (Joaquin Phoenix), an unofficial divorcee, falls in love with his operating system, Samantha (voiced by Scarlett Johanson). The film is poetically shot and the mise-en-scene is simply toothsome. Jonze’s genius shines through. Although hinting to the near future, the film speaks to an aspect of the current human condition: an existence inextricable to smart technology and digital mediation.
Justin Dorsey hails from Philadelphia, Pennsylvania. He is a Cinema major at the University of Pennsylvania and professional interpreter.
By Keegan Handley
I’m a new guy here on my first assignment – a “So Bad It’s Good” column, a section usually reserved for picking movies so bad (i.e. terrible in some form of production) that they’re good (hilarious in their ineptitude).
Well, I’m going to argue this movie is accepted as bad…but isn’t even bad at all.
(I know. What nerve!)
By Davis Rivera
Joel and Ethan Coen‘s new film about grief, pride, and the state of the folk music scene in 1961 brilliantly shows the humiliations and darkly comic surprises an unwavering dedication to one’s art can bestow on the artist. This gorgeously crafted film is an obvious labor of love for the Coens (they even shot part of the film on Jones Street where the cover of The Freewheelin’ Bob Dylan was shot) and by the time it unveiled its poignant cameo, I did not want to bid farewell to one of the last great films of 2013: Inside Llewyn Davis.